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What the professionals say about Penteo
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"I'm loving Penteo's flawless 5.1 Surround to Dolby Atmos 7.1.2 upmix. Penteo sounds great on all music stems and sound effects, and it's easy to upmix any format using a single plugin."
Joe Dzuban | Supervising Sound Editor | Re-Recording Mixer
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"Penteo was a huge timesaver for both The Equalizer and Equalizer 2 films. Penteo always elevates the immersiveness of my Surround and Atmos mixes so much that I wont go into a mixing session without”
Steve Pederson | Academy Award winning Re-Recording Mixer
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“I couldn't live without Penteo in my daily Surround and Atmos workflows. Penteo upmixes always deliver the speed and quality I need - recently for the films Mulan and Dune.”
Alan Meyerson | Supervising Score Editor | Remote Control Productions
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After using Penteo for many years, it has become such an essential upmixer to me that no self-respecting Atmos or Surround sound designer should be without it.
Roger Guérin cas*mpse | Sound Designer | Re-Recording Mixer
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“Penteo upmixed Stereo and 5.1 Surround to 7.1.2 Atmos on the film Bulletproof 2. I love Penteo's reliable overhead modes that keeps 100% downmix compatibility which is no easy feat in Atmos sound design.”
Simon Hill | Senior Dubbing Mixer | Halo Post
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“If I'm remixing a classic album for which some multitracks are missing, Penteo creates an incredibly pure immersive upmix that enables me to keep the intregrity of the album sequence playback in spatial. I can't work without it.”
Steven Wilson | Producer, Audio Engineer, Artist | stevenwilsonhq.com
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Penteo's exact phase congruence sounds incredible for Atmos 9.1.4 and downmixes perfectly every time. I love Penteo's intuitive controls which makes it fast to switch between formats without needing to re-starting the upmixer.
Jesper Eriksson | Sound Designer | JE Digital Sweden